I’m not an audio engineer by profession, but I’ve been monkeying around with sound systems through my music career, yoga world, and tangentially though A/V freelancing for many years. So I’ve learned a few things, and figured some things out by myself. Here are a few of my favorite ways to stretch the capabilities of low end analog sound gear.
- Using the FX / Effects Bus as an emergency monitor bus
Was at a band gig and the mixer board (not mine) monitor bus was not working (bad pot). Emergency fix, use the FX bus (not used by us, although some would add a bit of reverb / echo to the vocal channels) as a monitor bus. Good trick to have in the bag.
- Left and Right Channels feeding different sound systems
At the big outdoor yoga class I do sound for, I feed front of house speakers, plus two time delayed satellite systems. Since we’re mixing mono, I just pan everything to center, use the left channel for front of house, and the right channel for rear of house (mixer → delay → mixer + amp → delay → amp) for the 2nd and 3rd speakers. That way I can tweak the level of the remote systems from the main board without having to schlep 200 feet down the road to the second mixer / amp.
- Monitor Channel as Talkback Channel
Same outdoor yoga gig. I transitioned the musicians (an electronic / percussion / world music group) to headsets instead of monitors (they tend to move mics around and stuff, a real feedback nightmare in previous years). Last year, I set up my own headset / mic (using a gamer headset) and sent the headset audio only to the monitor channel, giving me the ability to talk to the band during the gig. Similarly, I set them up with a talkback mix that they could communicate with me (to set levels, etc.) Super handy when setting levels and during the class.